Curator ・ Researcher ・ Writer working across Japan and South Korea.

Writing-driven curatorial practice
grounded in feminist and decolonial inquiries
into ritual, memory, and the undercommons.


This essay serves as a postscript to the founding of the ghost project, reflecting on the failures, unrecorded moments, and invisible presences that shaped its 2024 activities.
Based on the conceptual and practical foundations of the 2024 projects 100 monogatari and 100 kiyakou, it explores care, collective authorship, power dynamics, and the possibilities of anarchism within artistic production.
Above all, it attempts to give voice to the “ghostly processes” that lie behind every creative outcome, raising questions about the forgotten, the voiceless, and the ungrieved whom the project sought to embrace.

Related project : https://theghostproject.com/about/


Contents

The essay has been published on the website of the Shimizu Tomoko Laboratory,
Graduate School of Global Arts, Tokyo University of the Arts.

▶︎ [Read the full text (Japanese)]
この世に墓でない土地はなく── 『ザ・ゴースト・プロジェクト 2024』を終えて



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